How Does The Tuner Technology Work?
The magic of the Tuner rests in its similarity to a ZOOM lens. These precision optical systems use multiple elements that move differentially within a cam to adjust certain aspects, usually the focal length while maintaining the image's focus.
Unlike detuning, the Tuner employs a precise optical system to adjust the level of image degradation, simulating any desired look.
The Vari-Tune technology can be thought of as a precision aberration generator. It allows the designers to develop specific or combined aberrations into the lens for distinct visuals. They can incorporate third and higher-order spherical aberration and subtle chromatic aberration to achieve the sought-after bloom and glow effect in modern-day projects.
Module 8 also introduced coma, astigmatism, and other aberrations to soften the frame edges and create unique depth-of-field effects. For instance, our L3 Retroscope lens incorporates off-axis astigmatism found in vintage anamorphic lenses. This can be used creatively, adding an anamorphic feel to your 2.4:1 flat footage, even with spherical lenses.
They've created a remarkably compact device compatible with ANY mirrorless camera using a sophisticated CAM mechanism and custom electronics board. There are additional plans to expand this technology into other exciting products, too, so keep on the lookout.
The Tuner works with Mirrorless Cameras using Sony E Mount and Canon RF Mount. All 3 Module 8 Tuners are now available with a Lens Side PL mount, compatible with many modern PL lenses, for serious cinematography — professional DP's use PL LensesLens Brands, Zeiss, Leitz, Tokina, Sigma, DZO. This means they are compatible with Sony Venice AND Red Raptor/Komodo systems. See our full compatibility table for more specifics.
While the Tuner is compatible with most Sony E-mount cameras, this tuner version does not work with the locking mount on the Sony Venice camera.