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Home - Faded Film

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Home - Faded Film

    A timeless preset pack for lifestyle photographers .
    Whether you're photographing your family at home, a portrait of a friend, weddings, or your next adventure, this pack is perfect for those who want to create timeless photographs as you document life.
    01. Subtle Fade Overly faded images can look flat, but these have just the right amount. 02. Bold Colors Elevated, not transformed. For preserving memories of how you saw them. 03. No Worms Get crisp Fujifilm edits in Lightroom without the dreaded “wormy artifacts”.
    **Important: All purchases are final in consideration of the creator’s hard work. To learn more, click here .

    SKU: m-download-006
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    Get The Rundown: How To Use Home Preset Pack

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    About the Looks

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      Powell

      The go-to preset for general purpose photography, especially wedding photography and portraits. Inspired by Kodak Porta 160 film and Fuji color science, it gives a slightly faded film look while still retaining bold colors.

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      Embarcadero

      Works well in backlit lighting situations. It adds just the right amount of punch and contrast to accentuate lens flare, reduce haze, and embrace warm tones without having that "washed out" look.

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      Archer

      The tried-and-true look for documenting life and telling stories. Inspired by the look of faded Illford HP5 film and the bold contrast of Fujifilm's Acros film simulation, it works well for isolating raw emotion, accentuating shadows and lines, and mixed lighting situations.

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      Hillside

      When you want to elevate the look of your black and white images, head to the Hillside. This preset takes the look of Archer and increases the contrast and drops the shadows. Great for moodier portraits, high-contrast silhouettes, it increases the contrast and drops the shadows, perfect for minimalist compositions.

    Related Luts / Presets

    Creator

    Reggie Ballesteros

    Reggie is a Filipino-American engineer turned photographer based in the San Fransisco Bay Area.

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